Indie Exclusive Releases
Brian Fennell is a student of simplicity. As SYML (pronounced “simmel”), which translates to “simple” in Welsh, Fennell writes emotive ambient pop songs that capture the ethos of his musical persona. With delicate piano, swells of strings and Fennell’s sterling vocals, the songs that comprise “In My Body,” embody the relinquishing of all emotions, a cathartic release laid bare.
Limited-edition, indie-only. Single LP on translucent green vinyl. Includes 24” x 24” full color foldout poster. Includes coupon for full download
Born in Cabbagetown, Georgia, the Rock*A*Teens carved their signature echo-wrapped, wounded-heart music on the edges of the Atlanta music scene more than 20 years ago. Led by songwriter and lead singer/guitarist Christopher Lopez, the band released a handful of reverb-drenched singles and full-lengths on the independent Daemon and Merge labels in the late ’90s and early 2000s.
Following their reunion at the Merge 25 festival and the reissue of their last LP Sweet Bird of Youth (Merge, 2000), the group returned to touring and playing live. Restless with the need to move forward, the band began writing and recording new music.
Guided by a batch of home recordings and demos, Lopez, guitarist Justin Hughes, bassist William R. Joiner, and drummer Ballard Lesemann convened with Tim Delaney at Electron Gardens Studio and Rafael Pereira at Tribo Studios to shape their ideas into the glorious, bombastic new album Sixth House.
On the group's sixth album, Passwords, inspiration pulls guitarist/ singer Taylor Goldsmith, drummer Griffin Goldsmith, bassist Wylie Gelber, and keyboardist Lee Pardini into their most universal, topical territory to date. This is a record about the modern world: the relationships that fill it, the politics that divide it, the small victories and big losses that give it shape. Taylor's writing is personal at points - the result of his recent engagement, which lends a sense of gravity and self-reflection to album highlights like "Time Flies Either Way" and "I Can't Love" - but it also zooms out, focusing not on the director himself, but on everything within the lens.
This Wild Life have only been around since 2010 but they’ve already had multiple lives. The duo of Kevin Jordan and Anthony Del Grosso met as outcast drummers in their hometown of Long Beach, California, and eventually formed a well-received punk act. They started to notice that their fans seemed to gravitate toward the duo’s acoustic material, which inspired them to form This Wild Life. Their 2014 Epitaph Records debut album Clouded saw them transitioning from stage dives to sing-alongs, and their follow up album 2016’s Low Tides showed the duo taking their songwriting to the next level by fleshing-out tracks with expanded arrangements and inventive instrumentation. The duo have lived with their records for the last four years and decided what they love and what they don’t about them. Early on in the writing process for Petaluma they made a mutual decision to make a record that felt brighter, more uptempo, and something they would personally want to listen to every single damn day. They limited the arrangements to only instruments that can physically be played. You would think these limits in place would’ve confined them, but the opposite occurred. It opened the door to some of their most honest and explorative songwriting to date. Suggestion from the band about Petaluma, “Listen to it loud with the windows down, on Sunday mornings when you’re cleaning up around the apartment, or throw on some headphones and find some comfort in it’s escape.”
New Vinyl: $24.99 $22.99 Buy
The band continues with their signature gritty, rock & roll, blues sound on All Of This Life, their second album following up a Grammy-nominated and hit-filled debut. The new album incorporates the band's organic style, but provides a richer, full expanded sound using Boulevard Recording Studio and mixes by Mark Needham (The Revivalists, Blue October, Newsboys, Fleetwood Mac, The Killers, Imagine Dragons, etc...). This album is comprised of stories about moving through difficult times in life and coming through the other side as shared by their fanbase over the last two years of non-stop touring.
North Carolina riff-rockers ASG re-emerge with their six-full length and first new album in five years, Survive Sunrise. Recorded, mixed and mastered with longtime producer Matt Hyde (Deftones, Slayer, Monster Magnet), Survive Sunrise further expands upon ASG’s trademark blend of heavy, southern-fried, alt-rock fury and infectious, hook-centric accessibility. With unabashedly hooky vocals, evocative lyrics and well-honed musical chops, ASG create soaring, melodic rock anthems with a sunny, colorful vibe that are reminiscent of the album’s electrifying cover art, designed by Malleus (Queens of the Stone Age, Foo Fighters, The Melvins). Survive Sunrise is the perfect summertime hard rock album, one that rocks with wild abandon and will burrow into your head for years to come.
Following last year’s release of the critically acclaimed Domino debut, RELATIVES IN DESCENT, PROTOMARTYR are happy to announce CONSOLATION E.P., an EP of brand new material recorded in collaboration with KELLEY DEAL (THE BREEDERS) and MIKE MONTGOMERY (R. RING, AMPLINE). Recorded in MONTGOMERY’S own studio, Candyland, the EP’s four songs capture the breadth of mood and stylistic variety of a full-length PROTOMARTYR album - from the short sharp shock of the opener “Wait”, through the mutant pop of “Same Face In A Different Mirror”, the epic “Wheel of Fortune”, to the beautiful closer “You Always Win”. Add to this MONTGOMERY’S recording skill, KELLEY DEAL’S unparalleled vocals, and their arrangements that see the inclusion of Jocelyn Hatch (viola), Evan Ziporyn (bass clarinet), and Lori Goldston (cello), and CONSOLATION E.P. becomes a truly unique prospect in PROTOMARTYR’S discography.
Sometimes the catalyst for creating great art is simply being in the right place at the right time. For Arthur Buck, the new collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck, that place was Mexico, and that time was the fall of 2017. Specifically, a little town off the Baja coast named Todos Santos, with the Sierra de la Laguna mountains to the east and the bright blue Pacific stretching out infinitely to the west. It is here that Buck has, for the last several years, held the Todos Santos Music Festival, which he created with his wife, Chloe Johnson, in 2012, shortly after R.E.M. called it a day. Among the many artists who have played the festival is Joseph Arthur, who also happened to leave behind a guitar—a Dobro, specifically—after his last appearance there. And so last year he made the trek down to Todos Santos to pick up the instrument. Which is where he ran into Peter Buck.
That was the beginning of Arthur Buck. The creative result of this relationship is a vibrant 11-song collection that captures the spontaneity at the heart of the project—right down to the 1-2-3-4 count off from Buck that opens the record—with sounds and styles meshed together in an easy, almost playful manner. Tchad Blake was brought in to mix the proceedings, and the result is the new Arthur Buck—the result of a shockingly productive burst of inspiration.
Melody's Echo Chamber (aka Melody Prochet) has confirmed her second album, Bon Voyage, will be released on June 15th on Fat Possum Records. Made up of seven expansive tracks, Bon Voyage marries Melody's breathless soprano to the wildest sonic excursions, always pinned to an emphatic, clattering groove as she delivers her fables of spiritual search and emotional healing in multiple tongues (French, English and Swedish).
Bon Voyage is a collaborative record between Prochet and Dungen's Reine Fiske and The Amazing's Fredrik Swahn with Melody sculpting and producing the sessions as well as encouraging the players around her to experiment, often with instruments that might be less familiar to them. It also features special guests Gustav Esjtes and Johan Holmegaard (both from Dungen) and Nicholas Allbrook (Pond).